AS WRITTEN IN THE STARS

Ace of Pentacles, artwork by Nicole Franco

artwork by Nicole Franco

4. Ace of Pentacles

It was dark when I got back to Brooklyn, and I blew into the apartment like a hurricane—wild, distressed, shaking, triumphant.

Marream was waiting with a bottle of rum and a cigarette, and between drags, I told her everything in broad strokes—how I was remembering things, piecing together the truth. I told her about my mother’s violent denial, our explosive fight through the fireworks, and my trip to Philadelphia to retrieve the contents of the black box.

Marream had one hundred questions.

She wanted details, facts, and timelines, but the story was not coming out in a clean, linear narrative. The memories came in a torrent, blinding flashes, images that tore me apart.

She kept pressing me for details, and her eyes—while filled with compassion—seemed far away, and I quietly wondered if my revelations had come as a blow to her intuition. Marream prided herself on her prescience, and although she had never met my father in person, she had always, on some level, empathized with him, tried to convince me that what he had done—while certainly not admirable—was, perhaps, not that bad. She believed that even if his actions were wrong, his intentions were generally good, that he understood the indignity of poverty, and that, at root, the conspiracy was engineered to protect the family from the humiliation of poverty. For, Marream argued, the pain of poverty was not rooted solely in physical deprivation but in social constructions. It was not the absence of material things themselves that ached—but, rather, their semiotic and social meaning; thus, deprivation was not so much a physical condition as it was a state of mind. Marream could, theoretically, forgive thieves and murderers whose crimes she could understand. Who, in moments of desperation, has not entertained the thought of simply taking what you need? And who would not kill for his child? There were circumstances, she often argued, in which both crimes were justifiable, but rapists, on the other hand, she abhorred as less than human.

We had often argued the point, for I believed that murder was a graver crime than rape. Rape, I argued, you could survive; murder, on the other hand, was final. Marream, however, was firm in her conviction that rape was a greater evil, always motivated by the desire to inflict pain. It was, she explained, brutal, unspeakable, cruel.

I could see she was struggling to reconcile my story with the narrative she had constructed, so I changed the subject.

“Do you want to see what the money looks like?” I asked and held open the bag.

Marream’s dark eyes gleamed with curiosity, but when she peered into the bag, her face fell.

“That’s it?” she said.

I was surprised. I expected her to be impressed.

“It’s so small,” she said sadly. “It looks like hardly anything at all, and people work their whole lives—for that? It would take me years to save that kind of money.” She looked devastated. “Years and years of work. For what? For nothing.”

***

I had been thrown completely off my axis, but the rest of the world kept turning, and when I woke up the next morning, I had an important appointment to keep. I showered, put on professional attire, and tied my hair up in a bun. Still I was young enough that I didn’t know it was inappropriate to wear open-toe shoes to an academic job interview, so my pedicure peeked out of my heeled sandals as I drove over the Brooklyn Bridge and up the FDR to the South Bronx.

The job was with the College of New Rochelle—a small liberal arts college in Westchester county founded by Ursuline nuns in 1904. It had once been a Catholic women’s college, a “finishing school for girls,” but in the 1970s, money was tight and enrollment was low, so the college diversified and created a nontraditional baccalaureate program designed to “empower” working adults—largely African and Caribbean American women—to obtain a college degree. The program was called the School of New Resources, and the college now operated five urban campuses across New York City (in Coop City, Harlem, Lower Manhattan, Bed-Stuy, and the South Bronx), where they offered daytime and evening classes in the Liberal Arts.

I had taught one course—an introduction to Writing about Literature—during the spring semester. The class was conducted at the Brooklyn campus in Restoration Plaza. I had been teaching for years, but nothing in my experience could have prepared me for that level of institutional chaos of registration. Students kept appearing and disappearing throughout the semester. By the fourth week of class, only half the students had books, so I spent hours preparing handouts, but resources (like toner and printing paper) were scarce. Throughout the semester, I kept waking up in the middle of the night, obsessing over the curriculum and worrying  about my students, their writing, their performance on the final exam. I had misgivings about the school. I didn’t understand why some of my students—while obviously brilliant—were struggling with the basic mechanics of the sentence.

Still, when a colleague on the search committee, told me about a new line and encouraged me to apply when a full-time position opened in the Letters Department, I wrote the job letter.

Now months later, it was the height of summer, and I was not the same person who had written the application. I didn’t know who I was, but I felt like I was flying through space and time as I flew up the FDR, running a few minutes late and weaving through traffic. I wasn’t in my body. My hand maneuvered the clutch as the car passed over the Third Avenue bridge, but my mind was in another dimension. The storefronts streaked past, but I could only see the black box, a crystal ball, the walls of my childhood home, and my father. In the parking garage, I gathered my papers and checked my makeup in the rearview mirror; I looked like myself but knew that I was someone else entirely. I got out of the car, walked through the darkened garage, and stepped like a shadow into the bright light of day.

It was New York City in July; my hair wilted, and the heat rose in waves off the pavement. I didn’t yet know how to jay-walk, so I walked all the way to the end of the avenue black to catch the crosswalk. I must have looked conspicuous with my long red-blond hair, heeled sandals, navy dress, dark glasses, and diamonds—the ghost of myself, a specter of something. Half-dead, half-alive, a pale specter ambulating bustling the thoroughfare, referring to a scrap of paper for the address, scanning the buildings. A lost soul in desperate need of direction. 

A man whistled. I jumped. A middle aged woman caught my eye as she brushed past me and hissed, “You should be ashamed of yourself.”

My face burned noisily red as hung my head. Of course, I am ashamed, I thought to myself and kept my eyes trained to the ground for the rest of the block. When I reached the address—332 E 149th Street—I wasn’t sure if I was in the right place. It was rundown: a plain, beige-yellow, eight-story building with a college banner hanging over the front desk.

“I’m here for a 1:30 interview,” I said as I gave my name to the security guard at the desk.

“Third floor, Ma’’am,” he said, and I felt the man’s eyes on my back as I pressed the button and waited for the elevator. I could hear the carriage moving up and down in the elevator shaft, but the doors didn’t open. I glanced over my shoulder at the guard. When he looked in the other direction, I ducked up the stairs. 

In the office, the secretaries greeted with indifference bordering on contempt. With the kind of polite derision that speaks as if you are not present in the room, I was instructed to sit and wait. I looked at my hands and pretended to study my notes. I listened absently, and they gossiped about people I did not know. I heart was racing, and I was so focused on slowing my breath that I almost didn’t recognize my name it was called. I rose and lumbered down the hall to a conference room with a U-shaped configuration of desks and windows that looked out over the shops that lined 149th Street, where there was a looped recording that loudly advertised “low prices” in English and Spanish throughout the interview.

The committee was polarized and diverse, comprised of eight people: half black, half white, half women, and half men. I could feel their faces pointed at me in varying states of receptivity. My colleague winked, and a short man in a bowtie flashed me a big, toothy grin. The committee chair’s face was a neutral mask, and there was a woman on the panel who wouldn’t meet my gaze. I took my place in the hot seat, and the inquisitive ring of faces closed around me, and the rapid-fire questions began.

I’ve always interviewed well. I am my father’s daughter and learned early to tell people what they want to hear. I clutched the pink crystal in my left hand and tried to summon the correct answers. Still, as my voice echoed through the chamber and reflected across the faces of the assembled committee, I wasn’t even sure where I was, much less how my responses were landing.

A tall, slender man with long locks asked about my administrative experience. I replied that I had maintained records and done clerical work for the School District of Philadelphia and for a charter school, which was shamefully true; for years, I had worked for my father, done his bidding.

The committee chair was a pale, elven man with a white beard. He asked about teaching, and I said, “I believe teaching is the best learning experience. I learn much more from my students than they learn from me, and I learned more from SNR students than from any other student population I’ve worked with.”

I could hear papers rustling as the interviewers took notes. I glanced at my supervisor, who gave me a nod of encouragement.

After a pause, the committee chair asked, “What did you learn?”

“Well,” I said hesitantly, “Traditional undergraduates may have an academic grasp of the materials, but SNR students understand the literature on a human level. They have lived experience. They understand the stakes of a story, and why an author would choose to tell a story or write a poem in a given way. Being in dialogue with them expanded my understanding of the texts we discussed.” The room was quiet. “I also learned,” I said. “That intellectual potential has nothing to do with economic privilege, which was, of course, something that I thought before working with your students, but it is now something that I know on a more visceral level.”

Looking back, I am astounded by the depths of my ignorance. My response echoed through the chamber, and I knew immediately that the answer was simultaneously right and wrong.

I made another mistake when I asked about money. The question I raised was, “Does the job pay a living wage?”

The committee exchanged sideways glances. Finally, the committee chair said, “We will negotiate the contract terms with the selected candidate.”

I watched as one of the campus directors raised a folder like a shield and whispered something to the man beside her.

Soon, I was dismissed and found myself back on the street. I felt like an alien being, an interloping traveler to another world, and, at the same time, there was something very familiar about the experience. I couldn’t name it or quite put my finger on it, but something about the school reminded me of my father.

***

 

“I have no idea how it went,” I told Marream and slipped behind the paper screen to change my clothes. “It was like I wasn’t really there. I couldn’t read the room.”

 

“You’re always well-received,” she remarked. “You just need to be yourself.”

 

I sniffed and looked down at the jewels on my dressing table. I had no idea who I was. I took off my professional costume and emerged in short jeans and a tank top.

 

“I really hope you get it,” Marream said. “It would be amazing. A real teaching job.”

 

“That’s the thing,” I said. “I don’t know if it’s a real school.”

 

“But you’ll be in the classroom, with the students,” she said, “That will be real. That’s always real.”

 

Marream loved teaching. She believed in the power of literature and the written word to change lives. She believed that older people had a responsibility to younger people and took her responsibility as an elder seriously. This meant she was, in many ways, a radical. She graded solely on participation and attendance—rather than written performance—but, in this way, she was strict. She called on students to speak openly, from the heart. She loved her students—though she did not always like them—and was devastated when they did not love her back. 

 

“This job has a large administrative component,” I said. “Pushing paper, documentation.”

 

“You’re good at that,” she said. “Administrators never can stand me,” she continued. “But they love you—and the important thing is that you will be teaching—in New York City. It will be amazing.”

 

“I just don’t know if I can do it,” I said, but I wasn’t sure what I was talking about the job. My mind kept flashing back and forth from the interview to my childhood room. I looked at Marream, and around her head, I could distinctly see pink and blue wallpaper vines. 

 

“Nothing is perfect,” she said. “There’s something wrong everywhere you go because it’s the world, but you like the students, right? That’s what matters, that you like the students—and you’ll be able to help them.”

 

I didn’t want to talk about the job, which seemed, in the context of everything, utterly inconsequential. I disappeared again behind the paper dividing screen and surreptitiously packed a bag to carry with me to Cher’s ofisa.

 

“Where are you going?” Marream asked.

 

“I have an appointment,” I said vaguely. “I’ll be home for dinner,” and with that, I walked out the door.

 

 

 

***

 

 

I arrived at Cher’s physic storefront in a state of surrender, defeat.

 

“Wait a minute, Sweetie,” Cher said as I sank into the chair in the corner of her little gold parlor. She opened the dividing door and shouted something in a language I did not understand, and a moment later her three adolescent children—eleven, twelve, and thirteen—filed through the reading room and out onto the sidewalk. I watched through the window as Cher reached into her bra and withdrew a few bills. “Go around the corner to the pizza shop. Stay together and come back in one hour,” she said, further instructing the boys, “And look out for your sister.”

 

Cher watched the children until they disappeared around the corner. Then she the door and sat down, I reached into my bag and withdrew a handful of cash.

 

“What’s this?” she asked.

 

“It’s the balance,” I said. “For the candles. Remember?” When she told me the price, I had bargained her down, and she had eventually relented with the words, “You will bring me the money.” I suppose, on some level, I wanted to fulfill her prophecy—as if to do so would make her magic real. On another level, the money singed my fingers when I touched it. I couldn’t bear to be in possession of it and wanted to be rid of it.

 

Cher looked surprised, but she took the money, and it disappeared into her drawer.

 

“Now, Sweetie, I seen a lot is going on with you.”

 

I nearly collapsed at the all-knowing sound of her voice—and I told her everything.

 

“He abused me,” I said. “He would come into my room at night.”

 

“I know, Sweetie. I seen it. He abused you in all kinds of ways.”

 

And when she said this, my mind flashed to a bad fall down the stairs. It was as if my whole life came into a terrible focus—and all the little details from my childhood assumed a dark new meaning.

 

“He taught me to forge signatures,” I said.

 

Cher nodded.

 

“He had a gun,” I said. “He showed it to me.”

 

As Cher shook her head with understanding, I suddenly understood that my mother’s guiding narrative—that my father had turned to crime only after he left her Darlene and had a whole other family to provide for—was pure fabrication, and I perceived that all those childhood shopping sprees and shortcuts and back alleyways—that was all criminal behavior.

 

“He made me work for him. He made me do things I didn’t want to do. Terrible things. Oh my God. Oh my God, what have I done?”

 

Cher stopped me there. “Sweetie, you didn’t do nothing wrong. You was a victim.” She stressed the word victim.

 

“But I could have stopped him,” I gasped between sobs. “I could have stopped him and I didn’t stop him.”

 

“There wasn’t nothing you could do, Sweetie. “You was a child. He did what he did, and that’s that. Look at me,” she instructed. “Look here and repeat after me: It wasn’t my fault.”

 

My voice shook and was small. “It wasn’t my fault.”

 

“It wasn’t my fault.” I repeated the words but didn’t believe them.

 

“You have to say it like you mean it,” she was pushing hard, pushing me over the edge.

 

“It wasn’t my fault!” I snapped.

 

“Good,” she said, leaning back with an air of satisfaction.

 

It was as if the combination had slipped into place, and the lock on my mouth eased open and fell off, and I said a sentence I had never before heard another human being say.

 

“He raped me,” I said. “My father raped me. Oh my God. It can’t be true. How can this be true?”

“Some things are never supposed to happen, Sweetie” she said. “But they do. Only God knows why.”

 

I told her everything about the flashbacks: the dinner table, Linda, and my mother’s false teeth. I told her about about the fireworks, that explosive confrontation, and how I had hit my mother. After decades of lies, I finally took a stand and acted on the truth.  I was proud of myself, but Cher was outraged.

 

“Don’t you dare hit your mother!” There was affront in her voice, and I could almost hear her sitting up straighter in her chair. 

 

“Didn’t you hear what I just said?” I demanded. “What she said to me? I told her the truth, and she denied it. She told me that I’m crazy, that someone is putting these ideas in my head. But she knew. She knew what he was doing to me, and she allowed it. She’s been lying to me my whole life.”

 

“I’m sorry, Sweetie,” Cher’s voice was grave. “But two wrongs don’t make a right.”

 

“I was defending myself,” I said.

 

“That is your mother,” Cher’s voice was loud and clear, as if she were reciting lines from a sacred code. “That is the woman who gave you life and brought you into this world.”

 

“I didn’t ask to be born,” I said and was immediately struck by the insolence and immaturity of the statement.

 

Cher drew a breath. “You know what I think, Sweetie?”she said. “I think it is easier to be angry with your mother. It’s only natural. A mother’s job to be there for her children, ” she said. “And your mother wasn’t there for you.”

 

“I hate her,” I said.

 

“Don’t you dare say such things,” Cher corrected me. Her voice was firm. “I understand you are angry—and rightfully so—but you must release all this hate from your heart. You have a choice. You can let this anger and pain consume you, destroy you—or you can choose the path of love.”

 

This sounded saccharine, facile.

 

“You only get one mother,” Cher said. “And you must love and respect her.”

 

“She didn’t respect me,” I retorted. “She didn’t take care of me.”

 

“She did the best she could,” Cher said.

 

“You don’t know that,” I said.

 

“I can see it,” she said. “I can feel the vibration.”

 

“Well, her best wasn’t very good.”

 

“She didn’t know she had a choice,” Cher said. “She couldn’t see a way out.”

 

“I don’t think she even tried,” I said.

 

“Of course she did, Sweetie.” Cher’s voice was firm and kind. “You are not seeing the full picture. Do you think you was the only victim in the family? I have to tell you this, but you need to understand. Mom was a victim, too.” Cher looked me in the eyes and drew a long breath. “Who do you think knocked out your mother’s teeth?”

 

I slumped back in the chair. There was no way to know, and I’ve never been able to confirm it, but there was something in the way Cher said it that sounded like the truth.

 

I must have been comatose because Cher got up, disappeared behind the dividing wall, and returned a few moments later with a cookie and a glass of water.

 

“You need sugar,” she said.

 

“What am I going to do?” I choked.

 

“The first think you are going to do is calm down,” she said. “Drink the water,” she instructed and watched patiently. My hand shook as I lifted the glass. “Now eat the cookie.” I took a bite. It was dry. Crumbs fell onto my lap, and I swept them unconsciously onto the floor.

 

“Now,” she said. “You are going to do as I say.” Her voice was serious. “Repeat after me: Time heals all wounds.

 

“Time heals all wounds,” I said the words, but there was acid on my tongue, and I didn’t believe them at all, but I repeated the words three times, like a good student, for good measure.

 

“Now, Sweetie, I have to tell you this is very serious. We don’t have much time, and this very big work.”” Cher said anxiously, “We must make a wax figure—an image of in pure white wax. It will be made to exactly your measurements, and we will destroy it. We must destroy the old Christine and build you up new from the ground up.”

 

I bristled. “No way,” I said.

 

“We must,” Cher insisted.

 

“No,” I said. My voice dropped. “I’m frightened of witchcraft.”

 

Cher sat up very straight and indignant in her chair. “My gift,” she said, “is a gift from God.”

 

The way she said it, I could tell she believed it.

 

“That’s fine,” I said. “But I don’t want anything to do with wax figures.”

 

She considered a moment. “Fine,” she said. “We’ll find another way,” and she began to rise as if our interview was over.

“Wait!” I said. “There’s one more thing.”

 

I reached into my bag and withdrew a little black box with a delicate gold latch. I undid the clasp, and the box opened to reveal a diamond ring on a black velvet cushion. The ring was platinum filagree and tiny cut sapphires, cradling a half-carat gem of brilliant cut and clarity.

 

Cher studied the jewel—so beautifully and delicately wrought.

 

“My father gave it to me when I graduated college,” I said. “I never took it off; I always wore it here,” gesturing to the middle finger of my left hand.

 

“This is an engagement ring,” she said.

 

“He said it was a family heirloom, that it belonged to my great-grandmother.”

 

“I don’t think so, Sweetie.” She was silent a long moment as she gazed at the ring.

 

“Then what? What do you see?” I asked.

 

“Bondage,” she said, snapping the box closed. “It looks like bondage. We must free you of this.”

 

I burst into tears of relief as I watched the little black ring box disappear into her drawer. 

 

 

diamond ring
photograph by Vin Jack